FROM THE CROSSROADS OF AFRO-BRAZILIAN ART TO THE MEMORIAL OF MADNESS: A JOURNEY INTO FUNK, A CRY FOR FREEDOM AND PRETAGONISTIC DARING
DOI:
https://doi.org/10.63330/aurumpub.001-002Keywords:
Living well, Photographs, Afro-Brazilian, Identity and PretagonismAbstract
This work deals with the erasure of black arts in Brazil, their achievements and rescues, from a photographic perspective of a counter-colonial perspective. Through good living and its anti-hegemonic ancestral transformations, it seeks to highlight the knowledge and expertise of African peoples who were brought overseas as slaves and had their histories and identities erased.
Even in the face of this erasure, these peoples resisted and reproduced their arts and knowledge, leaving us an Afro-Brazilian legacy present in all cultural manifestations. Their paths crossed plastic art and music, profoundly influencing national identity and culture.
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References
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KRENAK, A. A Vida Não É Útil. São Paulo: Schwarcz S.A, 2020.
ACOSTA, A. O Bem Viver: Uma oportunidade para Imaginar Outros Mundos. [s.l.] Elefante, 2016.
QUIRINO, F. 18 de maio, dia de lembrar de Nise da Silveira: “o que cura é a alegria, o que cura é a falta de preconceito”. Disponível em:
<https://www.brasildefato.com.br/2024/05/19/18-de-maio-dia-de-lembrar-de-nise-da- silveira-o-que-cura-e-a-alegria-o-que-cura-e-a-falta-de-preconceito/ >. Acesso em: 7 fev. 2025.
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Copyright (c) 2025 Adilson Amaral Gonçalves, Enzo Ribeiro Amaral Gonçalves, Milena Bruna de Oliveira Ferreira da Costa, Ana Beatriz da Silva Resende (Autor)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
